The Lakota Mystery
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| simon clifftop |
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We watched the movie ’Smoke Signals’ (1998). It seemed like it was a kind of funny, life on the reservation, Native American Indian movie. It was a warm story of a healing of a deep wound from childhood. Then it caught me completely by surprise in the last scene, when the grandmother asks her young adult grandson:
He closes his eyes and a scene begins “How shall we forgive our fathers…?” It caught me so by surprise, the tears were jumping from my eyes. Do I even know what that means? Is there anything to forgive? Have I forgiven? Would I know if I had, or hadn’t????? The statement and questions are as alive and as raw in me upon waking up the following morning.
The young Indian spoke:
How do we forgive our fathers?
Maybe in a dream
Do we forgive our fathers for leaving us
too often
Or forever
When we were little
Maybe for scaring us with unexpected rage
Or making us nervous because
there never seemed
to be any rage there at all
Do we forgive our fathers for marrying
Or not marrying
Our mothers?
For divorcing
Or not divorcing our mothers
And shall we forgive them
for their excesses of warmth or coldness?
Shall we forgive them for pushing
Or leaning
For shutting doors
For speaking through walls
Or never speaking
Or never being silent
Do we forgive our fathers
In our age
Or in theirs
Or in their deaths
Saying it to them
Or not saying it
If we forgive our fathers
What is left?
-
And then I could think of nothing else until I wrote…
How Shall We Forgive Our Fathers?
By first believing the child
They never could have got it all right
We never do
If you don’t believe the child,
there’s nothing to forgive
Why then
You must weep and rage
And emote your grief
for the breaking
of a sacred trust
He was who he was
And he did what he did
And forgiveness -
what of that?
I sound the word on my tongue
like a foreign language word
whose meaning is not known to me
I would never allow into the parlor
of my clean house
Would not allow it
to sully
the good furniture
So it happened.
I bark harshly, brusquely
Push her roughly
Out
Just keep it in the kitchen
the scullery
the outhouse
The good room
The front room
And Walt Whitman rejoins
To the good preacher
And the good sermon:
THIS TOO IS GOD:
The disgusting
And base
And ugly beyond words…
The idea delights me
The idea
That the possibility
is not too abstract
to grasp
simply
only in so far
as I can
believe the child
and bring her kindly
gently
into the good room
saying
come, you belong here
This is your home
whatever happens
whatever happened
This is your home…
always!
that love is forever
and forgiveness is as easy
as falling off a log
I say
Do you know
just how dear
he is to me?
He is forgiven
He is forgiven
He is forgiven
before we ever began
Dinna ye hear it?
The piper’s call is clear
to those who will only listen
to those who have ears to hear:
in all the universe
though things grew dire
and things grew worse
in all the universe
Just to remember this
beckons in the verse
we dreamed of.
Today, 2008; three years on, this extraordinary ‘encounter’/revelation/resolution epic leapt right back up at me from where it had lain buried in my files since I wrote it down. Johanna had her visions, vivid and vibrant from early childhood. But why was I drawn to respond to the child/teen suicide epidemic on the Reservation?
That moment in time remains memorable for its profundity, beyond what any of us might have thought we were doing. In the old language they would say that the ‘Spirit descended upon us’. Everything that happened was surprising; precious. My big sister began to sing:
with heart and hands and voices,
who wondrous things hath done,
in whom this world rejoices;
hath blessed us on our way
with countless gifts of love,
and still is ours today…
And if you’re having trouble with this part of the telling, all I can say is that we ourselves were astonished. Again, this was not our usual MO, but judgment was suspended somehow as the melody carried the essence of what was occurring and tugged us into our hearts. And as we finished our singing; one voice, one heart, our dear mother upspake:
“Thank-you for completing the circle and bringing the blessing home.”
We stood then for a long time, in the circle, holding hands, lumps in throats, tears in eyes, nobody in a hurry to ‘break the spell’ of what had just gone down.
*~*~*
"It is time for the broken hoop to be mended." Pine Ridge Agency greeting Barry Brailsford on his "Journey of the Stone" to the (12) Nations in 1992.
SEVA - Ram Dass’ baby, first for cataract operations in
"The smallest spark gives life to the fire."
*~*~*~*~*~*~*~*~
Winged Bird
Steal my pierced heart
Fly with it high and higher
Till man and his earth
Are blurred and lost
Blind my eyes and deafen my ears
To lances that pierce
Voices that soothe
And
Hands that hold
Falsely
Of untouched beauty
Where Soul and Mind
Together
Disturbing no other
Lie in blissful Love
The mother of a new creation
Be
Untainted by memories
Of a world past
Or flaws of destruction
In the fruits
In the wisdom
Of a peaceful land
Growing
Maturing
Are you ready?
Then
Return my healed heart to earth
Bring with you seeds
Of a new generation
Only when it is safe
And plant wisely
I will guard these seeds
With my life
www.continuumcenter.net
*~*~*~~*~*~
"A group of five women and one wheelchair travel to the Pine Ridge Indian Reservation as volunteer labour to build a ’cob’ house from the ground. Over the din of the ever-present wind the camera captures the flavour of a building site like no other. Characters and stories come and go between rock runs for the foundation of a house. Wild storms and flapping tarps are weathered with good-natured banter. Rare footage of Little Big Horn day shows Lakota keeping alive their warrior skills, such as dragging the injured off the battlefield with horse and rope.
Created by Yinka Selley jubalea@yahoo.co.uk
Final thesis for MA in film studies at
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